TRIPLE OCTIVE HIGHC HOW TO
TRIPLE OCTIVE HIGHC FULL
TRIPLE OCTIVE HIGHC PORTABLE

Dedicated editor software opens up even more creative power, providing access to different amp and effect variations, detailed parameter adjustments, and more. Each amp type features three user memories, allowing users to store gain, EQ, and effect settings for quick recall. DUAL CUBE LX The DUAL CUBE LX includes a variety of BOSS stereo and mono effects to enhance the sound.

TRIPLE OCTIVE HIGHC PORTABLE

There’s also a mic preamp type for using the amp as a portable vocal PA system. There are eight versatile amp types to choose from, all with natural feel and organic response honed with decades of BOSS amp development. The Dual Cube LX Guitar amp produces full, punchy guitar tones that belie the amp’s compact size. We''ll see you next month!īe sure to visit for more info. It will also help you develop your ear, which every guitarist needs to do. By practicing this way you can really learn the notes on the neck and the notes in each arpeggio. This is just one way to play these, as there are several ways to play three octave arpeggios. To play this one quickly you have to experiment with the fingerings - you can follow the ones I''ve listed or experiment with your own. Example 5) Our last example is a Gdom7 arpeggio (G, B, D, F). You will notice this arpeggio is very similar to a minor pentatonic scale the difference between the minor 7th arpeggio and the minor pentatonic is the missing 4th. Example 4) Here is a cool way to play a Gm7 arpeggio (G, Bb, D, F). To play these quickly, you have to slide the 7th to the octave. Example 3) Now we will be adding the 7th. For example, you can hammer the first two notes and then sweep pick the rest. I like to alternate pick these arpeggios, but you can also experiment with sweep picking. Example 2) This is a three octave G minor arpeggio (G, Bb, D), very similar to the G major, but with a flatted third. Also, be sure to follow the fingerings provided - you can use the same fingerings descending. There are many ways you can play the same notes on the fretboard try shifting to different strings to work your way up the neck. This is one of my favorite ways to play this arpeggio, as you can really fly across the neck very quickly. This works in all keys and with any arpeggio type.Įxample 1) Here is a G major arpeggio (G, B, D) in three octaves.

Be sure to follow the fingerings and then experiment with your own. There are several ways you can play the same notes - below I''ve given you some examples to demonstrate you the concept. The key is to map out the notes so you can move smoothly across the neck. For example, if you are playing a B major arpeggio (B, D#, F#) in three octaves, you will be using only those three notes continuously. All you do is repeat the same notes up the neck in all three octaves.

We will start off by using three note triad arpeggios, and then four note versions, like maj7, m7 and dom7.

TRIPLE OCTIVE HIGHC FULL

After you learn your basic arpeggio shapes using one or two octaves and you are looking to get to the next level, you want to learn the full range of the neck.

TRIPLE OCTIVE HIGHC HOW TO

This lesson I will be showing you how to play three octave arpeggios across the neck.

Triple octive highc